Tim Hecker comes from a long line of unlineal composers, likeFrançois Bayle and Daphne Oram, where a source material — be it guitar, piano, synths, field recordings — is manipulated into new shades of sound via digital processing.
Somewhere between dusk and nightfall, there's a point when the sky's deep reds and luminous notes of peach bleed into deep blues and silhouetted skylines. It's a somber, meditative medley of color, when the reflection of day turns dim; that's where the new record by Patrick McDermott, who records instrumental guitar music as North Americans, rests.
Nathan Bowles' clawhammer banjo music has always lived in three planes of existence: Rooted in the past, with a foothold in the present and an eye on the future. But as much as we think about folk music speaking across time — its seeking melodies and lyrics ever-resonant — Bowles wants to pluck sound from space itself.