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A Conversation With Jonny Greenwood, On Chaos And The Element Of Surprise

Jonny Greenwood of Radiohead performs at Madison Square Garden in New York City.
Jeff Kravitz
/
FilmMagic
Jonny Greenwood of Radiohead performs at Madison Square Garden in New York City.

On this edition of All Songs Considered, Radiohead guitarist Jonny Greenwood joins us to talk about two of his classical compositions we've just premiered on our Tiny Desk series. He also shares some of the music that's inspired him over the years by other artists and explains how he came to love such a rich and diverse tapestry of sounds.

It's tempting to see Jonny Greenwood as a two-sided artist – the Radiohead rock guitarist and the classical composer behind film scores like Phantom Thread and There Will Be Blood. But Greenwood doesn't make a fuss about differentiating between the two. "Music is about surprising you," he says, "but in a satisfying way."

When Greenwood was a kid, he had an older brother and sister with good taste in music. He listened to New Order with his siblings in the morning before school. During school, there were also teachers with good taste who introduced him to towering figures of 20th century music such as the French composer Olivier Messiaen.

Greenwood wasn't planning on a career as a rock star or as a composer. But, as he told us in this conversation, these youthful musical discoveries were key to helping him develop his own tastes as one of today's most intriguing musicians. The self-effacing 47-year-old from Oxford, England erases boundaries between genres, creating surprising sounds with electronic and acoustic instruments.

Greenwood joined us from the BBC studios in Oxford. We talk about his new work performed at the Tiny Desk, his love for his first instrument (the recorder) and the music of other important artists in his life, everyone from Kid Creole and the Coconuts to Krzysztof Penderecki and Steve Reich.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.
In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.